FRANKBROS says
Ann Demeulemeester's 'Elé' chair for Serax is a graceful study in the interplay between dimension and form. Tapering legs touch the ground lightly, belying the strength of the wooden frame. Front legs unexpectedly twist in a design that explores the tension between the square and the round. An arresting chair that is both straight and curved at once, both bold and intricate, the 'Elé', carved from black beech, possesses a retro feel that is utterly timeless.
Read more
FRANKBROS says
Ann Demeulemeester's 'Elé' chair for Serax is a graceful study in the interplay between dimension and form. Tapering legs touch the ground lightly, belying the strength of the wooden frame. Front legs unexpectedly twist in a design that explores the tension between the square and the round. An arresting chair that is both straight and curved at once, both bold and intricate, the 'Elé', carved from black beech, possesses a retro feel that is utterly timeless.